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Letters From Libby James

Writing Nonfiction That Gets People Talking


If you’re writing self-helpish nonfiction, you are making a promise: this will matter beyond the page. Not just because you said so, but because you’ve done the work. You’ve lived it, researched it, paid attention. You’re not just reporting facts or offering tips. You’re building trust. Sentence by sentence.

If you want readers to talk about your book before they’ve even finished it, it has to sound like something they can’t keep to themselves. Atomic Habits, The Life-Changing Magic of Tidying Up—people read a chapter and start evangelizing. Not because of tricks, but because the ideas are specific, personal, and immediately useful. These books don’t wander. They speak with authority and clarity from the first page.

So how do you write like that?

Start by tightening your core idea. Strip it back until it’s one sentence. Not a tagline. Just the truth you’re trying to get across. Most writers skip this step. They jump into writing without getting clear on what they’re actually saying, and then wonder why their book feels scattered. Clarity at the center changes everything.

Next, ask yourself: what would make someone quote this chapter? What’s the line they’d underline, text to a friend, or bring up in conversation later? If there’s nothing yet, you haven’t gone far enough. Say something real. Not just what’s true, but what’s yours. Your lens. Your phrasing. Your lived example. People remember what feels original—not because it’s flashy, but because it feels earned.

Then, teach something. Don’t just tell them what you know. Walk them through it. Break it down step by step. Anticipate their objections. Show your work. A chapter should not feel like a lecture—it should feel like a writer sitting across from you who actually wants you to get it. That’s what makes readers trust you. That’s what makes them finish the chapter and go, “Wait till you read this part.”

You don’t need to be flashy. You don’t need to be someone else. But you do need to be clear, specific, and useful. That’s the bar.

If you’re writing nonfiction and want someone in your corner who’s not afraid to tell you the truth about what’s working and what’s not, I offer one-on-one advising calls. This isn’t coaching. It’s not therapy (though sometimes it might feel like it). It’s someone who knows what they’re doing helping you make the work sharper, cleaner, and built to last.

You’re writing to be part of what people carry with them. The stories they reach for when things get messy. The ideas that change how they move through the day. That’s the kind of nonfiction worth finishing. That’s the kind worth talking about. Go write it.

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Letters From Libby James

I help writers strengthen their writing and creative practice, navigate the publishing world, and turn their art into an act of rebellion.

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